Nashville photographer Benjamin Perlin creates images that act against the “impermanence of life” through the use of traditional film techniques. Benjamin Perlin has extensive experience in darkroom techniques like solarization and sabatiering that generate unique effects.

An article in The New York Times by Jeff Wignall focuses on unconventional printing techniques such as sepia toning, multiple-images, and diffusion that can be used in the darkroom. An enhancement method, diffusion has traditionally been used in creating contrast in outdoor scenes taken in bright sunlight and in minimizing wrinkles and unattractive lines in portraits. In the context of scenic photography, diffusion is employed in creating an atmosphere similar to late afternoon or early morning.

Available in various densities and sizes, diffusion material is held between the paper and enlarging lens during exposure. Depending on how much softening is desired, diffusers are held closer to or further from the lens, typically for half the total exposure time. 

Enterprising photographers can make their own diffuser using a sheet of glass coated with petroleum jelly. With a clear spot left in the center, a vignette effect can be achieved. Another way for traditional photographers to achieve this effect is via a soft-focus filter on the camera lens.