This experiment is showing an interactive digital design tool for designing wall like composition with 3d ceramics.
This research is about the relationship between crafting materiality and digital representation, and how experiential knowledge of crafts rooted in ceramics can be transformed and utilized in the use of digital technologies. Also the research is about how the involvement of the body is being exploited in the use of digital technology. It can be hand gestures, body movement, or the voice, that forms the basis for an interaction with a digital responding system.
How can traditional craft knowledge based on skills and experience in making three dimensional objects be utilized through digital technologies, - and thus make a close link between the designers creative process and the digital manufacturing based on the idea about crafting and execution as a unity that is intuitive and humanistic?
