Shah Numair Ahmed Abbasi's profile

2022 | Mumtaz Begum Series | The Curtain Falls

As a child, I was overly afraid of the famous Mumtaz Begum residing at the Karachi zoological garden. Every trip to the zoo entailed visiting the iconic fox woman, where I was reluctantly carried in the arms of an elder relative to view the orchestrated freak of nature. In retrospect, that trepidation arrived from my inability to classify the hybrid creature as neither a man nor a woman, a human or a feline. This voyeuristic installation owes its popularity to similar bemusement garnered from most visitors.

I now also realise how this quasi-creep show contributed to our society’s perceptions of transgender people. It perpetuated beliefs that they are freaks - creatures to spectate and consume for our amusement. This view still prevails amongst the majority of the population despite the significant improvements in their legal rights, representation, and inclusion. Across the globe, many people continually consider kinks, fetishes, sexualities, and queerness as anomalies, dismissing any form of a non-conventional exhibition and sexual proclivity or ‘bends’ as aberrant behaviour except only when expressed under the guise of performance for their consumption, much like the Mumtaz Begum.
Foxtail pendants keychain 40 cm
2022
Acrylic, chalk pastel, pencil, and charcoal on canvas
76 x 61 cm
Fantastic silver fox
2022
Acrylic, chalk pastel, charcoal, and pencil on canvas
107 x 76 cm
The woman who was kept on a shelf
2022
Acrylic, chalk pastel, pencil, and charcoal on canvas
91 x 122 cm
All the big eyes to see you with (diptych)
2022
Acrylic, charcoal, pencil, and chalk pastel on canvas
91 x 61 cm each
+5 million views
2022
Acrylic on canvas
107 x 76 cm
The monsters under my bed
2022
Acrylic, charcoal, pencil, and chalk pastel on canvas
183 x 122 cm
2022 | Mumtaz Begum Series | The Curtain Falls
Published:

2022 | Mumtaz Begum Series | The Curtain Falls

Published:

Creative Fields