Salt Island_鹽島

Salt sea black and white graphic Layout concept experimental typography chinese graphicdesign

鹽島計畫＿Salt Island Project

與金門縣文化局共同策劃俱有金門在地性的概念展品，用設計重新詮釋屬於金門的文化美學。金門烈嶼做為臺灣與中國的中介點，在大島小島的交互作用中，逐步形構這座島嶼專屬的身份認同與想像：不論是軍旅、遊子、觀光客或是在地人，都在透過他者與自我的彼此窺視，辯證思念的形式；軍人思念遠方的家人、遊子思念家鄉的模樣、觀光客思念想像的場景、在地人思念過去的榮耀⋯⋯每份記憶既輕且重。故與金門縣文化局合作共同策劃烈嶼鄉概念性展品，以新的實驗性視覺語彙為重新詮釋烈嶼文化。

Collaborating with Kinmen County Government, Chen reinterprets Kinmen’s culture and aesthetic with his design. Lieyu as the intermediate point between Taiwan and China, in the island of the island's interaction, and gradually form the island's exclusive identity and imagination: whether it is military, wanderers, tourists or residents all have self memory. It is in cooperation with the Kinmen County Cultural Bureau planning the concept exhibits for Lieyu, with a new experimental visual vocabulary for the re-interpretation of the culture.

海沙漏＿Sea hourglass

烈嶼文獻起源於隋唐，宋元兩代即於島上設置鹽場，鹽同時也代表著海洋，以鹽為中心概念，沙漏為其形象載體，希望在書寫時能緬懷著時間在這塊土地堆砌的種種過往，讓人重新思索歷史、當下、未來間的輪轉，進而珍視當下的瞬間。

Lieyu's history originated in Sui and Tang dynasties, Song and Yuan dynasties set up on the island salt field. Salt also represents the ocean. Use salt as the main concept, the hourglass for its image carrier, hope in writing can remember the time in this piece of land piled up in the past, people rethink the history, The future of the rotation, and then cherish the moment now.

包裝慨念_Package Concept

臺灣海峽又稱黑水溝，有著這座海島早期篳路藍縷的象徵性。故選用黑色的金屬罐裝為主要包裝結構，以瓶中信的概念我們將片段的時間打包，寄送一份時光給予遠方的他/她那份最真摯的祝福。

The Taiwan Strait, also known as the black ditch, has the symbolic nature of this early island. So the choice of black metal cans as the main packaging structure, the concept of the letter to the letter we will pack the time to pack, send a time to give him / her share of the most sincere wishes.