A commentary on Donald Cammell’s experimental short movie “The Argument” (1971/1999).
The occult, the desert, the wicthcraft, the conflict between the Director and the Witch, between God and Goddess, between Reason and Nature. A classic contradiction which takes place on the atmospheric rocky landscapes of the Utah dessert, imbued with the psychedelic aesthetics of the occult revival movement of the 60’s and 70’s pop culture.