Challenging the concept that the "eyes are the windows to the soul," I wanted to explore the impact of a portrait that eliminated the majority of the subject's face, leaving the viewer to determine the story solely based on the subject's eyes.
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windows, no. 3 // the man with the tired ones
Challenging the concept that the "eyes are the windows to the soul," I wanted to explore the impact of a portrait that eliminated the majority of the subject's face, leaving the viewer to determine the story solely based on the subject's eyes.
windows, no. 3 // the man with the tired ones
Published:
windows, no. 3 // the man with the tired ones
11x14, acrylic on photographic paper
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Published:
