Victorians Oh Yeah!, 2015, MP4 video, length: 00:03:02
The Relative Frequency of the Causes of Breakage of Plate Glass Windows, 2015, digital painting, variable size.
Detail: The Relative Frequency of the Causes of Breakage of Plate Glass Windows, 2015.
The Relative Frequency of the Causes of Breakage of Plate Glass Windows, Proposal for the Whitney Museum of American Art (in collaboration with TF Cornerstone and High Line Art), Installation View at corner of Washington & Gansevoort Streets, Meatpacking District, New York, 2015, four-color digital print, dimensions TBD.
Jeune fille de joie usine (Factory girl joy), 2015, digital painting, variable size. 
Detail: Jeune fille de joie usine (Factory girl joy), 2015.
Installation: Jeune fille de joie usine, 2016 (printed paper billboard), corner of Woodstock Rd & Redcar St., Belfast, UK
A Strict Code for Mourning Flowers, 2015, digital painting, variable size, 
Detail: A Strict Code for Mourning Flowers, 2015.
Installation: A Strict Code for Mourning Flowers, 2016 (printed vinyl wrapped billboard), New Orleans, LA 
The Industrial Inevitability of Circular Crust, 2015, digital painting, variable size.
Detail: The Industrial Inevitability of Circular Crust, 2015.
Installation: The Industrial Inevitability of Circular Crust, 2016 (printed vinyl wrapped billboard), Hong Kong Special Administrative Region of the People's Republic of China
Crimson Petal’s Lying Decay, 2015, digital painting, variable size.
Detail: Crimson Petal’s Lying Decay, 2015.
Installation: Crimson Petal’s Lying Decay, 2016, (printed paper billboard), 384 Old Street, London, UK
Prioritizing the Preservation of Favoured Struggles: Our Mesmerizing Bucket of Worms, 2015, digital painting, variable size, 
Detail: Prioritizing the Preservation of Favoured Struggles: Our Mesmerizing Bucket of Worms, 2015.
Installation: Prioritizing the Preservation of Favoured Struggles: Our Mesmerizing Bucket of Worms,  2015, (printed vinyl wrapped billboard), Route 183 North, Reading, PA,10’9” x 23’.
The Interlocking Mechanism of Compartmentalization, 2015, digital painting, variable size.
Detail: The Interlocking Mechanism of Compartmentalization, 2015.
Installation: The Interlocking Mechanism of Compartmentalization, 2016 (printed vinyl wrapped billboard), Hwy WA-16 at Sinclair Inlet Wildlife Viewing Area, Bremerton, WA
Being for the Benefit of Mr. Liddell’s Daughters, 2015, digital painting, variable size.
Detail: Being for the Benefit of Mr. Liddell’s Daughters, 2015.
Being for the Benefit of Mr. Liddell’s Daughters, Proposal for Victoria and Albert Museum, Courtyard Installation View, London, 2015, four-color printed nylon-reinforced vinyl over aluminum and steel structure, dimensions TBD.
The Set Relationship Between: (A.) An Invisible Woman and (B.) The Ghost Club, 2015, digital painting, variable size.
Detail: The Set Relationship Between: (A.) An Invisible Woman and (B.) The Ghost Club, 2015.
Installation: The Set Relationship Between: (A.) An Invisible Woman and (B.) The Ghost Club, I-80 West, Reno, Nevada, 2015, four-color digital printed billboard, 12’ x 25’.
Driving Out Miss Martineau, 2015, digital painting, variable size.
Detail: Driving Out Miss Martineau, 2015.
Installation: Driving Out Miss Martineau, 2016, (printed vinyl wrapped billboard), US-136 & 180th St., Unionville, MO
Grinding Out The Mean Layer, 2015, digital painting, variable size, 
Detail: Grinding Out The Mean Layer, 2015.
Installation: Grinding Out The Mean Layer, 2016 (printed vinyl wrapped billboard), I-78 eastbound between Allentown & Harrisburg, PA.
Rationalism’s Demise, 2015, digital painting, variable size.
Detail: Rationalism’s Demise, 2015.
Rationalism’s Demise, Proposal for Mobile Billboard Exhibition, 2016, four-color printed vinyl attached to mobile steel structure.
Victorians Oh Yeah!
Published:

Victorians Oh Yeah!

The final revelation is that lying, the telling of beautiful untrue things, is the proper aim of art. ~ Oscar Wilde. It was only a matter of ti Read More

Published: