Primary goal of this project is to examine relations between visual and audio perceptions, their crossing points and integrations. Some displayed artifacts are practically presented through the idea of synesthesia (a condition in which one type of stimulation evokes the sensation of another, as when the hearing of a sound produces the visualization of a color), and the other artifacts are closely related to it. Few installations are constructed of both the visual and the audio segments, while other exhibits are created as synesthetic visual responses to heard sounds and noises.
Using completely different materials with their very own characteristic, I tried to accomplish reversible synesthetic procedures. To make the visual pictures associated with the harked sounds, and to generate the sound according to already created artistic visual objects.
Visual part of this installation is plastic collage made of heterogenic diversity of randomly assembled plastic pieces, which form a kind of chaotic, psychedelic picture.
This visual picture is rebuilt throughout it’s audio manifestation, where every one of six colors owns its pair in adequate sound (with randomly defined color, frequency, etc.).Since all six colors are randomly placed in collage, the sounds in audio part of this installation are also randomly generated in six different samples and hold sequences.
This visual picture is rebuilt throughout it’s audio manifestation, where every one of six colors owns its pair in adequate sound (with randomly defined color, frequency, etc.).Since all six colors are randomly placed in collage, the sounds in audio part of this installation are also randomly generated in six different samples and hold sequences.
The idea of drawing named “Wave” is creation of a flat, repetitive and monotonous drone sound.
Through the history of music the term drone was used to indicate harmonically rich or simple monophonic, but constantly and continually emitting sound, which with its own characteristics, expressed through complex layering and endless repetition, creates an atmosphere of infinite space and time. Visual part of this artifact is a drawing (ink on paper), and is drew by multiplying of a dot, the primary drawing element. With this technique I achieved to create an illusion of organic and atmospheric “heterogenic homogeny”, which may represent visual manifestation of a constantly varying and morphing drone sound.
Installation is made by multiplication of one object. Basically, this piece is focused on experimenting with simple, everyday things that can individually be very common, such as a simple plastic straw. However, by multiplying the basic material unit we get a completely new image, in which individual and common exceeds its established form and function, and by creating a new context it gains new functional features.
